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Pierce Funeral HomeVilla Heer( September 20, 1925 - February 26, 2018 )
Villa Lee (Smith) Heer, daughter of Eva (Chamberlain) Bowers and step daughter of Homer Bowers, died suddenly Mon., Feb. 26, 2018 at The Commons Nursing Home, Enid. Villa was born in her grandparents' farmhouse, John and Della Maycumber, southeast of Fairview, OK September 20, 1925. At age 7 she played on the outdoor platform dance at Apple Grove while Mearl Heer (age 13) played banjo. 10 years later Villa and Mearl married, making their home in Longdale.
Villa was best known for her friendly greeting smile at the door of Mearl's dances for over 64 years in OK, TX, CO, and KS. During her working years she was a skilled seamstress, sales clerk (Colorado), waitress, and manager of the Red and White Grocery in Longdale. Villa was active in Lions, Lioness Clubs, Longdale Country Op'ra, and Longdale Community Church in the years before suffering from arthritis. She enjoyed flower gardening, reading, crocheting, gathering with friends, and country music. When they lived in Salida, Colorado (1954-1980) their home was a revolving door of summer vacationers and big game hunters from Oklahoma. Villa kept the food stocked and the coffee perking for their loved ones. Survivors are her daughter, Sharon Heer, Longdale; and grandson, Sandown Murrah, Fairview; nieces, nephews and friends. She was preceded in death by her husband, Mearl (2006); parents, Eva and Homer Bowers; and son-in-law, G. Myke Murrah. Funeral services will be held 10:30 a.m., Saturday, March 3, 2018 at the Longdale School Gymnasium with Pastor Mark Dirks officiating. Interment will follow in Longdale Cemetery under the direction of Pierce Funeral Home, Fairview. Memorials may be made to Longdale Country Op'ra or Longdale Cemetery through Pierce Funeral Home, P. O. Box 15, Fairview, OK 73737. Condolences may be made online at www.piercefuneralhomes.com. |
From the 1880s through to the early 1900s, Shaw’s work was much imitated by speculative builders for middle class housing and large, fussy, red brick houses with porches, wooden verandas, small window panes in the upper sashes - and the occasional Dutch gable - became a familiar part of the outer suburbs of London and other large towns and cities. Stained glass became popular for front doors and porches while the floor and dados of porches and hallways were often finished in decorative tiles which were produced in huge quantities from the 1870s. After 1905, pargetting – decorative relief plasterwork - recalling the seventeenth century domestic architecture of Essex and Suffolk – pebble dash and half timbered gables became popular. In the hands of speculative builders, suburban villas began to look like enlarged cottages. Although roofs were prominent, houses were generally not as tall and there was now a greater horizontal look to the facade. Plans tended to be squarer and without a basement the main living rooms now had direct access to the garden. | |
Some of these features found their way down to the better quality artisan terraced house built around 1900. Often with their own name in imitation of the larger house, these were villas within a terrace; they provided homes for the upwardly mobile artisan and clerk – like the fictitious Mr Pooter of ‘The Laurels’, Holloway, London. Terraced houses of between four and six rooms remained the answer for mass urban housing. Typically laid out in straight, monotonous streets with little open space and erected by small builders employing local methods and material they still exhibited considerable local and regional variety. From the 1870s, national and local legislation aimed at improving public health at least ensured that basic standards of construction, sanitation and adequate space – front and back - were maintained. |
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